Category

Panto

Choose our 2025 panto

By | News, Panto

Ye gads! Treasure Island opens in less than one week, almost a year after you chose it in our audience vote at Red Riding Hood.

This Christmas we once again invite you to choose next year’s show, so let’s meet your candidates for panto 2025.

👠 Cinderella

An absolute classic, which we last performed in 2017 at Fruit. Pattie Breadcake would have to be one of the two sisters, but who could be the second?

🎩 Alice in Wonderland

The one where Alice falls through a rabbit hole into a world of anthropomorphic creatures. Imagine the fun we’d have with Reluctant Stage Manager Andy…

🫘 Jack and the Beanstalk

You trade the family cow for some magic beans and grow a beanstalk in the backyard that leads to a sky castle inhabited by a giant. We’ve all done it.

🧙‍♀️ The Wizard of Oz

A shameless attempt to cash-in on the popularity of Wicked? Or a chance to stage a tornado and flying monkeys in a warehouse on Humber Street?

Everybody who attends Treasure Island at Social this Christmas can vote at the parrot polling station, by the bar.

Remember: it’s one panto pal, one vote. Whatever you choose, we’ll perform next year!

The winner will be announced at the end of our final performance of Treasure Island, on Sunday 29 December, and online.

Godspeed, and may democracy prevail.

A white man with dark facial hair is dressed as a panto dame in pink dress, red glasses and a cherry hat, holding up a cake.

How much does Treasure Island cost to make?

By | Blog, Panto, Uncategorised

Ahead of Treasure Island opening at Social this Christmas, senior producer Sarah Penney writes about the cost of keeping Hull’s favourite panto running

Picture this: a cold, December evening. Humber Street shimmers with festive lights as you wander toward the warm, buzzing Social.

Volunteers in Christmas hats wave you in with a welcoming smile. The kids clutch their Fruit Shoots, you grab a beer or a brew and the lights dim.

One ridiculous pop melody and a grumbling stage manager later, there she is: Pattie Breadcake, eyeing up the poor soul in the front row with that mischievous sparkle. This is Christmas in Hull, Middle Child style.

Since 2011, our alternative rock ‘n’ roll panto has brought laughter, live music and sheer anarchy to Hull’s Christmas calendar. Each year, around 2,500 of you make your way to our little show on Humber Street and we couldn’t be more grateful for the community that makes it happen.

But let’s get to the real question. How much does it cost to bring all this Christmas chaos to life? The answer: £62,582.67.

Yep, sixty-two thousand pounds of cold, hard, cash. Or bank payments, let’s be real.

I know what you’re thinking: “But Sarah, we’ve seen the show. Don’t you all just get up there and faff about? Why do you pay the guy who plays Pattie Breadcake? Does he even learn his lines?” Well, no and… no.

You see, when you make a show like we do, there’s lots of things you guys don’t see behind the scenes. Let’s break it down a bit, shall we? This is a producer’s idea of fun, guys. I’m so happy I get to write this blog.

Paying People: £36,808.49

Our talented creatives, production teams, cast, crew, designers, stage managers and interpreters are all paid a fair wage. That’s more than 20 dedicated people working tirelessly to make the show a success.

Production Budget: £11,900

This covers set materials, costumes, props, lighting, sound equipment and the PRS license to perform those sing-along hits you love.

Venue Costs: £5,176.50

This covers our venue rental and front-of-house management to take care of you when you arrive.

Other Costs: £3,622.68

From childcare support and team wellbeing, through to flu jabs and our fantastic understudies, this fund covers essentials to keep the team at their best.

Marketing and Box Office: £5,075

Getting the word out includes posters, social media, photograph and video, as well as paying the good folk at Hull Truck Theatre to manage our box office to keep the seats filled all Christmas long.

A fat white woman with red hair in bunches dressed as Red Riding Hood dances with arms outstretched. In the background a panto dame plays guitar.

After paying all of this out, where does that leave us?

In 2023, despite selling 96% of our tickets, Red Riding Hood brought in £38,286.91, resulting in a loss of £24,295.76.

Unlike our big new writing shows, like Baby, He Loves You, our annual panto isn’t subsidised by other funding – apart from the wages of our core team. This means ticket income must cover all of our costs.

And unlike many large theatre venues, panto doesn’t subsidise our programme the rest of the year.

As a mid-scale theatre company then, a loss like £24,295.76 significantly impacts our budget and put real pressure on our ability to keep producing shows by upping our fundraising target every year.

We don’t want to increase our ticket prices unless absolutely necessary, as it makes our show less accessible to Hull audiences. As we almost sell out every year, we can’t really sell more tickets either to make up the difference.

So, why do we keep going?

Simple! It’s YOU LOVELY LOT: our fabulous, festive audience. Panto fills our hearts with pure joy and every year, your infectious cheer makes it more magical. The lure of Santa hats, cheering on the heroes and booing the baddies signals the end of a year of hard work trying to make our little corner of the world a little brighter.

But it’s not just about us; it’s about what panto does. It’s the perfect hello to theatre for so many people in Hull, who might not typically venture into a show. Think of it as the first delicious bite of a theatre buffet, just enough to get your belly rumbling and then before you know it, you’re running headfirst into the chocolate fountain.

Panto is at the very heart of Middle Child’s mission, building a fairer, more equitable world. We know that once someone experiences the magic of panto, they’re far more likely to explore and support other theatre too. So really, it’s not just a show, it’s a gateway to something bigger.

We stretch every pound to make it count, but ongoing community support is essential if we’re to keep the magic going year after year.

A Black man dressed in a biege overcoat and brown hat holds a 2D cut out of a red van that says The Daily Alarm on the side.

How you can help keep panto alive

If Middle Child panto is part of your Christmas tradition and you’re in a position to help, we’d love your support. You can help us in a few ways:

Make a solidarity contribution

When booking your ticket to Treasure Island, you can also make a contribution to our solidarity ticket fund, which provides tickets to people who otherwise wouldn’t get to enjoy a Christmas show. That helps both us and our community loads, so if you’re someone who regularly gives the gift of Pattie, thank you!

Join our Pay What You Can supporters’ scheme

By joining, you’re part of a group that keeps Hull’s independent theatre scene thriving all year long.

Make a one-off donation

Every little bit helps keep the lights on and the laughter flowing. We have a ‘donation station’ at panto this year and you can also make a quick donation through our website too.

Consider sponsoring panto

If we had five companies sponsoring our panto at £5,000 each per year, this would have a HUGE impact on our budgets and our ability to keep up the Christmas cheer, making our budgets balance. So, hey, you never know who’s reading this. If you’re someone who’d like to make a massive difference to our company, email me on sarah@middlechildtheatre.co.uk.

Every gesture, big or small, makes a real difference in keeping this community tradition alive. Thank you for being a part of it, and we can’t wait to see you in December. Let’s get ready to panto!

Treasure Island runs at Social on Humber Street from 19-29 December

Competition: Voice of Panto 2024

By | News, Panto
Competition: Be the Voice of Panto at Treasure Island 2024

The first day of rehearsals for Treasure Island is rapidly approaching, but there is one VERY important role we have still not cast – our audience announcer!

Could that be you? 🧐

Last year seven-year old Ellie Seaton melted hearts, recording the pre-show messages that play over the speakers at Social.

This year we’d like another primary school-age kid from Hull to be the voice of panto at all of our family shows. Cue competition! 🥳

How to enter

To enter, simply send us a voice note featuring the child in your life saying their name, age and the reason we should choose them as our voice of panto.

You can send these through Facebook MessengerInstagram or WhatsApp on 07763 633459.

The winner will need to be available to visit us in Old Town, accompanied by a grown-up, to record the announcements on Thursday 12 December at 5.30pm.

We can also cover your travel costs to and from our space, whether that’s a taxi, bus fare or car parking.
The competition closes at midday on Thursday 5 December, so there isn’t long to enter, and our cast will pick the winner on Friday 6 December.

As a thank you for their hard work, we’ll also give the winner four tickets to the 6pm performance of Treasure Island on Saturday 21 December 😃

Terms and conditions
  • Entry is only open to children aged 5-11 years old, who live in a HU postcode.
  • Entries received after 12pm midday on Thursday 5 December will not be accepted.
  • Entrants must be able to travel to the Middle Child rehearsal space on Thursday 12 December, between approximately 5.30pm and 6.30pm, to record the announcements. Timing can be flexible to accommodate accompanying adults, including arriving before 5.30pm.
  • The winner will be chosen by the cast of Treasure Island on Friday 6 December and notified that evening. Should they no longer wish to take part, the role will be offered to another entrant.
  • The winner will also be offered four tickets – one of which must be a standard (adult) ticket – to the 6pm performance on Saturday 21 December.
  • If the winner is already attending this performance, they will be offered four tickets to an alternative show, or a full refund of up to four tickets, in exchange for free tickets for the 6pm performance on Saturday 21 December.
Panto Vote

Choose our 2024 panto

By | News, Panto

Red Riding Hood opens in just one week, almost a year after you chose it in our audience vote at Robin Hood.

This Christmas we once again invite you, our panto audience, to choose next year’s show. Let’s meet your candidates.

Cinderella

An absolute classic, which we last performed in 2017 at Fruit. Pattie Breadcake would have to be one of the two sisters, but who could be the second?

Jack and the Beanstalk

You trade the family cow for some magic beans and grow a beanstalk in the backyard that leads to a sky castle inhabited by a giant. We’ve all done it!

Treasure Island

We know you love a curveball when it comes to panto and if anybody can out-Muppet the Muppets, it’s Middle Child.

Dick Whittington

The one where the jokes write themselves, last performed by us in 2016. Dick, Puss in Boots and one of the best panto villains in King (or Queen) Rat.

***

Everybody who attends Red Riding Hood at Social this Christmas can vote at the Buns of Steel polling station, by the bar.

Remember: it’s one panto pal, one vote, but whatever you choose, we’ll perform next year!

Godspeed, and may democracy prevail.

Meet the cast of Red Riding Hood

By | News, Panto, Shows

The harvest moon is a-rising and trouble is on the way… in the shape of our fabulous panto cast!

Meet the gang who will bring Red Riding Hood to the stage at Social this Christmas, in our anarchic take on the classic fairytale.

Chosen by you in a public vote last year, our rock’n’roll panto features a gnarly werewolf, live music and the chance to make as much noise as you possibly can.

There’s some Hull faces who are familiar to panto fans, as well as a few new ones, who we’re sure you will welcome with open arms.

So without further ado, let’s introduce you to…

Alice Beaumont channelled Rik Mayall to play the Sheriff of Cottingham in Robin Hood last year to much acclaim.

This Christmas her character inspiration takes a sinister turn, as she injects the spirit of Margaret Thatcher into Baroness Scrimp, the politician out to destroy Red Riding Hood and Pattie Breadcake’s bakery.

Drummer extraordinaire Jack Chamberlain, who played King John in Robin Hood, sticks to the dark side this year, as hunter Colonel Montgomery Blowhard.

Blowhard by name, blowhard by nature, this khaki-clad nuisance is Scrimp’s right-hand man but more bark than bite.

Marc Graham returns as dame Pattie Breadcake, who has kicked the habit following last year’s spiritual sortie as Sister Skeg.

This year business is booming at the Buns of Steel bakery, where Pattie has her fingers in all the pies. The only thing missing is a fella to fix her soggy bottoms.

Long-time panto star Josie Morley resumes the role of audience friend, this time playing Jack Lumber.

He’s a lumberjack (geddit?) and so was his dad, and his dad before him, and his dad before him, and his dad before him. But his dad before him was an estate agent and we don’t talk about that.

Making her panto debut is Sarah Penney, of Beach Body Ready and Fast Food Megaverse fame.

Fun fact: Sarah’s skeleton is composed entirely of funny bones, so bring a mop because an accidental wee is 100% guaranteed.

Your favourite reluctant stage manager, Andy Ross, will once again appear with all the vim and vigour we’ve come to expect from them.

And after a star-turn as a moon in Robin Hood, we’ve managed to craft an entire extra character out of the same joke. Who says the arts are underfunded?

Oliver Strong returns as understudy, ready to step-in should a performer fall ill, as he did with great aplomb last Christmas.

You may also recognise Oliver from Faustus, by From Below at Stage at the Dock and as the Dungeon Master in Silent Uproar’s Dungeons and Dragons.

Beats Bus hero Kobby Taylor makes his first panto appearance since playing Flounder in The Little Mermaid.

This time Kobby, who also appeared in There Should Be Unicorns, plays Rupert Scaremonger, the roving reporter sowing seeds of fear among the people of Hull.

New behind the keys at Social this Christmas is Natalie Walker, who will lead the band in our rock’n’roll takes on various pop songs. Her most recent work includes Beverley Does Broadway and The Pirates of Christmas Island with She Productions.

And joining us on Saturday 23 December as BSL interpreter for three performances, including family and late-night shows, is Dave Wycherley.

Dave has interpreted our pantomimes every year since 2017 and we are delighted to have him join us again this Christmas.

Production team

Working their panto magic behind the scenes is our amazing production team.

Natalie Young is the evergreen brains behind our set, props and costume design and Katie Price, who turned up on our doorstep with a portfolio of costume work, is now our very first panto costume maker, bringing Natalie’s designs to life.

Adam Foley is our veteran lighting designer, tasked with glowing up the Buns of Steel bakery, Anlaby Woods and other scenery.

Jay Hirst joins the rehearsal room as deputy stage manager and will run the show from the tech desk in the venue, alongside sound engineer Tom Smith, while Anja Bryan-Smith joins panto for the first time as stage manager, after working on our Gipsyville project, This One’s For Us.

Jon Beney also enters the fray for the first time as choreographer.

Paul Smith, Middle Child’s artistic director, has once again written the script after it was selected by last year’s audience. He will also direct the show.

And finally the Middle Child core team will produce, production manage, dramaturg and market the show.

  • Tickets for Red Riding Hood are on-sale now, available from £13.50-19.50
A red and white ring toss target that says Little Red Riding Hood

Our audience choose Little Red Riding Hood as 2023 panto

By | News, Panto, Uncategorised

The votes are in and, after pulling an all-nighter to check the count with David Dimbleby, dame Sister Skeg is delighted to reveal that our 2023 panto will be…

A red and white ring toss target that says Little Red Riding Hood

Little Red Riding Hood

The classic fairy tale about the little girl and the hungry wolf was the overwhelming favourite with our audience for Robin Hood: Prince of Thorngumbald.

They were able to choose between four different stories for us to produce for this year’s show, voting in a sidestall at Social throughout the run of our Christmas show.

Our audience have chosen our panto story in this way every year since selecting The Little Mermaid in 2019.

We’ll have more details available about this year’s panto in the spring, so stay tuned. Sign up to our mailing list to be the first in the know.

Panto, football and ticket prices

By | Blog, Panto

Audience development manager, Jamie Potter, explains some of the decisions we’ve made around Robin Hood, our panto this Christmas

It’s the most wonderful time of the year – panto launch day!

Yes, it’s only July and we’re all slowly digesting barbecue food, but our minds are firmly set on Christmas and the recurring matter of what costume Marc Graham will wear on the stage at Social.

Robin Hood is the story, as chosen by you, and in a year of Jubilee extravagance the script almost writes itself, as our hotshot hero gallivants around town, robbing the rich and giving it to the poor.

We can’t wait to share it with you, especially after the incredible nights we had back at Social last year. It definitely feels like panto came home.

On which note, we wanted to be open about a couple of things: football and panto ticket prices.

Marc Graham as Pattie Breadcake in Rapunz’ull (2021). Photo by Studio Blue Creative.

Football

This year we have the small matter of the men’s world cup to address, as FIFA, in a completely out-of-character episode, decided to award it to a country where it is simply too hot to play in the summer.

That meant they had to reschedule it for the winter. For December, in fact. With the final on Sunday 18. The weekend we usually open panto.

For many people, seeing the country grind to a halt to accommodate Our Boys amid endless renditions of Three Lions is a special circle of Hell that Dante could never have conjured.

We also know that many of our audience are huge football fans and, for a company who need full houses to make panto pay for itself, we can’t risk competing for people’s attention, especially with England among the favourites to lift the trophy this year.

That’s why we’ve decided to wait until the final whistle before we open Robin Hood and perform either side of Christmas, so that everybody can have the best time inside a packed out Social, cheering and booing. Like the football.

We were able to make that decision safe in the knowledge that we had your backing, thanks to the many, many people who took part in our survey about scheduling shows.

Your responses let us know there is a huge appetite for something to do in the weird week between Christmas pudding and Auld Lang Syne, so we’ve decided to fill it: with panto dames, live music and people dressed as woodland animals.

That’s the biggest response we’ve ever had to a survey and it genuinely helped us fix a problem, so we really do appreciate everybody taking the time to share their thoughts.

Andrew Ross as a squirrel in Rapunz’ull (2021). Photo by Studio Blue Creative.

Ticket prices

The other matter we wanted to be upfront about is the ticket prices, which this year are going up by £1.50 each.

Middle Child exist as a company to change who gets to see and tell their stories on stage and affordability plays a huge part in that.

Many theatre prices are simply too expensive for ordinary people and a significant barrier to attending.

That’s why we do a lot of work to provide free tickets to local charities and community groups, supported by our audiences through our solidarity ticket scheme, as well as keep ticket prices as low as possible.

We’ve blogged before about the difficulties in making subsidised theatre and how expensive it is.

This year, with inflation a word on everybody’s lips, it’s no different, which is why we’ve had to increase prices for our panto.

To balance out some of the increase though, we are able to offer the first 400 tickets on-sale, across both family and late-night shows, at last year’s prices, as an ‘early bird’ deal.

These will be available when tickets go on-sale on Monday, until the end of August or once the first 400 are snapped up – whichever comes first.

Our solidarity scheme will continue this year, so that you can chip in a little extra to help fund tickets for people who otherwise wouldn’t be able to enjoy a Christmas show.

We have also been awarded funding from the Hull and East Riding Charitable Trust for our walking bus programme, to partner with a local school and bring pupils to see a show.

If you are an individual, business or charity who would like to work with us to extend our free ticket schemes, please do get in touch.

Alice Beaumont in Rapunz’ull (2021). Photo by Studio Blue Creative.

The Middle Child panto, now in its eleventh year, is one of our proudest achievements and a highlight of our programme.

We absolutely love seeing people come together, often reuniting as family and friendship groups for a Christmas ritual, to make the show their own.

Staging it is rarely easy, but that’s part of the charm: putting on a low-budget panto that’s full of heart and community and that all comes from you. We couldn’t do it without you.

See you down Humber Street in December!

Like what we do? Here’s how you can support our work

Join our community of Middle Child Mates by subscribing to our pay what you can supporters’ scheme and help create a world where anybody’s story can be told or heard.

Panto voting booth with four buckets recessed into a piece of wood painted with stripes

Revealed: our 2022 Hull panto, as chosen by you

By | News, Panto

Every year our panto audience decides which fairy tale they’d most like to see us bring to life the following Christmas.

Rapunz’ull was no different and you voted in your droves, with Robin Hood, Aladdin, Snow White and Cinderella in the poll.

Panto voting booth with four buckets recessed into a piece of wood painted with stripes

After counting your votes, checking, double checking, and bloody well checking again, we are now able to announce this year’s show.

The 2022 Middle Child panto, as chosen by you, will be…

Robin Hood in yellow text on a green background

Yes, revolutionary fever has gripped Hull and you want to see some good old fashioned stealing from the rich, so who are we to argue with that?

Robin Hood will go on-sale later in the year. Stay tuned for ticket details and dates.

We’ll be back soon with Out Loud, a new writing night at Humber Street Gallery, in association with Silent Uproar, and There Should Be Unicorns, a spectacular outdoor family show coming to Hull in the spring.

A white woman in stripey top, dungarees and backwards baseball cap holds a placard that says 'viva la revolution'

What Plan B means for panto

By | News, Panto

The government last night introduced new measures against Covid-19 that affect theatres, such as mandatory face masks for indoor public venues.

This includes Social, where our panto Rapunz’ull runs from 16-24 December.

Vaccine passports do not apply, however we are still kindly asking if you could do our team and fellow audience members a huge favour and take a lateral flow test before you leave home.

What else we’re doing

As we wrote last week, our cast and crew are taking lateral flow tests every day, while some of the wider Middle Child team have now returned to home working.

Social will also be deep cleaned every day throughout the run and has a ventilation system, while contactless e-tickets are the default and contactless payments are accepted at the bar.

We’re so excited to be back and part of your Christmases again, but we also want to keep everyone safe, so please follow the guidance and help keep pantoland magical.

Lots of love,
Middle Child x