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A purple square with turquoise letter Ls in a pattern and yellow text on a white rectangle which says £5,000 fund for Hull actors

Equity Charitable Trust award Middle Child £5,000 to support Hull actors

By | Artist Development, News

We are delighted to have been awarded £5,000 from the Equity Charitable Trust to buy equipment and provide infrastructure to support local actors in the advancement of their careers, from our space in Hull’s Old Town.

This is a quick blog to let you know what we’re planning.

First thing we did was ask. Thanks to all those people who filled out the survey we posted: we really hope that what we’re planning reflects the needs of the acting community of Hull. So here is what we’re going to do with the money.

Create a self-tape space

This was the most popular request, so we are going to spend a big chunk of the money creating a soundproof space that has all the equipment in it you might need to create and edit your self-tapes to the highest possible quality. This will remove financial and practical barriers to allow you to do your best work. A big thanks to local actor Matt Sutton who is advising on the best possible setup.

Update the technical equipment we can offer

We’ve been delighted with how much use our rehearsal room has had already this year but we’re also aware that some of the equipment that you have to use when you come in is… knackered. So, we’ll be replacing some of those old faithful bits of kit with stuff that doesn’t turn off when you turn the lights on, as well as also making sure you have access to computers for both creative and administrative work.

Improve the library

We’ve got such a big stock of plays that it can be overwhelming to find what you need, so some of the money will be spent creating a database of monologues and duologues to help you find the piece you need as quickly and easily as possible. We’ll also be making sure the library stays up to date with the most contemporary plays from the best writers worldwide.

It’s also worth noting that quite a few of the responses were about continuing to offer things that Middle Child already provide, so to be clear, our spaces including the rehearsal room will remain free to book and can be done so through our website. Our Acting Gym will return in October, and we also have some new sessions starting this summer, including talks about issues within the industry and a book club, where artists will get a chance to read and chat about contemporary plays.

Also, our Take Your Seat initiative is now up and running where, with our friends at Hull Truck Theatre, we offer free tickets to see new plays and then a chance to come and chat about them afterwards.

Hopefully if you’re an actor based in Hull, this all sounds good, but as ever this is just the start of the conversation. Do keep talking to us about how we can improve our offer and hopefully we’ll see you all soon taking advantage of the new self-tape space.

Middle Child in 2023

By | News

Hold tight, Hull, here’s what we’ve got planned for you over the next 12 months!

A world premiere in Hull and trip to London for a new drag king cabaret-inspired play about Victorian artist Elizabeth Thompson, an outdoor show created with the residents of Gipsyville, two scratch nights, the return of our people’s panto and extensive artist development opportunities feature in a jam-packed programme of ground-breaking theatre for the year ahead. All from our home in Hull.

This exciting programme for 2023-24 speaks to four key commitments across our work: to Hull, to new writing, to broadening who theatre is made for and by, and to lessening the impact of the cost of living crisis and removing financial and social barriers to change.

We kick-off with the premiere of Modest at Hull Truck Theatre, our electrifying new play about Victorian artist Elizabeth Thompson, produced in collaboration with the wonderful Milk Presents, with support from the National Theatre’s Generate programme.

Written by Middle Child co-founder and Hull writer, Ellen Brammar, with music by Rachel Barnes, Modest tells the story of the artist who fell two votes short of becoming the first woman elected to the Royal Academy, in 1879.

See it in Hull from 23-27 May before it heads on tour to Newcastle, Leeds, Sheffield, Ipswich, Scarborough, finishing with a two-week run in London at the Kiln Theatre.

Our people’s panto, as chosen by our audience, returns to Social on Humber Street this Christmas with Red Riding Hood. Expect an anarchic, rock’n’roll take on the classic fairy tale, with tickets going on-sale (already!) on Tuesday 4 April. Plus, we are very, very excited to announce that Red Riding Hood will return in the February half-term of 2024, for a mini-tour of Hull with the good people at Back to Ours.

A year-long project with the residents of Gipsyville, commissioned by Absolutely Cultured, culminates with a free outdoor performance of This One’s For Us on Saturday 3 June. Written by Rachael Abbey, this sparky and uplifting show brings together protest and celebration in the heart of the community.

Out Loud, our scratch night for new writing in association with Silent Uproar, returns in July following its first time out with Casino at the Humber Street Gallery a year ago. This year we host a double header over three nights at our rehearsal space in the Old Town, with Shit Life Crisis by Olivia Hannah and 1988 by Hannah Scorer. A second edition follows in October with Cuckoo by Chris Pearson. Both Hannah Scorer and Chris Pearson came through our Writers’ Group, while Olivia Hannah has taken part in Silent Uproar’s Making Trouble programme.

Elsewhere in the city, young people from the Warren Youth Project will see monologues, inspired by ideas shared in a series of creative writing workshops about mental health, staged for the first time in Three Minute Monologues at Freedom Festival, funded by Comic Relief.

The Middle Child Theatre Library, featuring over 2,000 scripts and reference books free-to-borrow to residents of Hull and the East Riding, continues to grow and further comes to life with the start of a monthly Book Club and series of regular Library Talks about hot topics in the theatre industry and wider world.

Similarly, Take Your Seat is a series of fully funded group excursions to see productions of exciting new writing at Hull Truck Theatre and discuss it over coffee the following day, starting with Too Much World At Once in April.

Elsewhere in our development programme, the annual Writers’ Group returns in the autumn, with introduction to playwriting workshops led by Hull playwright Tom Wells leading up to a first-time sharing of scenes in January 2024.

Our ever-popular Acting Gym is also back this year, with a focus on monologues providing performers with a place to flex their acting muscles in-between jobs. Literary manager, Matthew May, also continues to offer notes to writers on draft scripts through our 1:1 Script Support programme.

Bond 31, our creative hub on High Street in Hull, featuring a rehearsal space, writing room and hot desking space remain available and free to use, subject to availability, throughout the year. We look forward to welcoming local artists into our old warehouse to use the space, including Belle Streeton and Jamie Potter with an R&D project about pirate radio in Hull, Jack Chamberlain with a further R&D project looking at AR and VR in performance and the NYAT Youth Theatre every Monday afternoon.

We also continue our efforts to improve working conditions in theatre and advocate for change by implementing a four-day week for our core team and the wider company during rehearsals and production periods. Artistic director Paul Smith has written a separate blog post about our experience so far and why we’ve made the switch.

Finally, the next 12 months will also see us pilot a new financial access rider scheme with Classroom, asking the freelancers we work with what adjustments we can make around payment schedules to help people from lower socio-economic backgrounds to make a career in theatre.

This is Middle Child in 2023 (and a bit of 2024…) We can’t wait to have you join us.

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A white woman with shoulder length fair hair, in a white and black patterned dress

Exec director Lindsey Alvis heading to PiPA

By | News

After five years as executive director and joint-CEO, Lindsey Alvis is leaving Middle Child for an exciting new role as programme manager at Parents and Carers in Performing Arts (PiPA).

A white woman with shoulder length fair hair, in a white and black patterned dress

PiPA is a campaigning charity founded to address a lack of provision for parents and carers in the performing arts.

Middle Child have been a charter partner since 2019.

Lindsey joined Middle Child in 2018 as we became an Arts Council England National Portfolio Organisation (NPO) for the first time.

She had previously worked at Hull UK City of Culture 2017, Liverpool Everyman and Headlong.

During her time with Middle Child, Lindsey worked on productions including One Life Stand, Us Against Whatever, Modest and multiple pantomimes.

Lindsey has also had a huge impact on life behind the scenes at Middle Child, overseeing the implementation of flexible working, a successful period of fundraising and the move into our new venue on High Street in Hull.

Middle Child artistic director and joint-CEO, Paul Smith, said: “Everyone at Middle Child is delighted for Lindsey as she moves into this exciting new role with our pals at PiPA.

“We’ve felt the benefit of Lindsey’s passion for a more equitable industry first-hand and are in no doubt that this brilliant pairing is sure to benefit the entire industry.

“We’d like to thank Lindsey for everything she’s contributed to the company over the past five years, and know that we’re entering into our next period as an NPO stronger, thanks to Lindsey’s leadership.”

Lindsey said: “Alongside Artistic Director Paul Smith, leading this amazing company for the last 4.5 years from my home city has been incredible.

“Creating award-winning theatre, securing a new home and working with so many talented people, has been everything. I am so proud that we’ve done all this whilst putting people at the heart of what we do and championing flexibility and inclusivity.

“Middle Child is vital, and I can’t wait to see what it achieves next as it navigates the challenges and opportunities it faces with authenticity, leadership and sheer star quality.”

Lindsey’s final day with Middle Child will be on Thursday 20 April and we wish her all the best for the future at PiPA.

Keep an eye on our recruitment page or sign up to our artist development newsletter to hear more about future vacancies with Middle Child.

A white woman with fair hair tied back, wearing a khaki green coat and orange scarf

Amanda Smethurst succeeds Martin Green CBE as chair

By | News
A white woman with fair hair tied back, wearing a khaki green coat and orange scarf

We are delighted to reveal arts consultant and facilitator Amanda Smethurst as the new chair of our board of trustees.

Amanda succeeds Eurovision 2023 managing director and former Hull 2017 UK City of Culture chief executive, Martin Green CBE, who has held the position since 2018.

She was previously the director of Artlink in Hull and director, London for Arts Council England.

Amanda will chair the Middle Child board through our second term as an Arts Council England national portfolio organisation (NPO).

Amanda said: “I’m delighted to be the next chair of Middle Child and ever since I met the team and saw their fabulous work in breaking down barriers to attending theatre, I knew I wanted to be a part of their story.

“I’ve been blown away by Middle Child’s passion, ambition and genuine commitment to the city and people of Hull.

“Hull was the city I chose to study in and begin my arts career 30 years ago. I’m so thrilled to reconnect with the city and community I was proud to call my home.”

“I want to say a huge thank you to Martin Green as he steps down from the chair role, for supporting Middle Child’s growth over the past five years and securing NPO status.

“I am excited to work with the fantastic board and team as the company continues to make gig theatre that excites, challenges and tells the untold stories that need to be heard, creating accessible spaces for people to hear those stories and have a good night out.”

Artistic director Paul Smith and executive director Lindsey Alvis, joint-CEOs of Middle Child, said: “We are delighted that Amanda has joined us as chair. She brings her skills and experience as a consultant, coach and facilitator working in the arts, as well as a genuine love for Hull.

“Amanda shares our values and her craft and care at bringing out the best in organisations and people make her the perfect person to lead Middle Child through the challenges and opportunities ahead.

“We would also like to thank Martin for the five years he has spent at the helm. From joining the Arts Council’s National Portfolio in 2018 to navigating the Covid-19 pandemic, he has led the organisation with ambition and vision.”

Martin Green said: “I have loved being the chair of Middle Child, seeing their profile and work grow in every way and steering the company through covid-19 and its successful second NPO application.

“After five years it’s time for fresh eyes and energy and I am thrilled with Amanda’s appointment. The company is in safe hands.”

The current board of trustees includes Jane Fallowfield, Jack Heaton, Rozzy Knox, Jay Mitra, Magda Moses, Emma Tucker and John R. Wilkinson.

In addition investor Chris Tonge has joined as a trustee.

Paul Smith and Lindsey Alvis added: “We are thrilled that Chris Tonge joins Middle Child as a trustee, bringing experience of corporate and commercial sectors to the organisation after years establishing and running a successful business.”

A woman in a baggy yellow sweater with her back to the lens reads from a script to a man in the distance

Photos from our 2022 Writers’ Group sharing

By | Artist Development, News

Huge congrats to our 2022 Writers’ Group who shared their first-ever scripts with a wee invited audience at our rehearsal space on Wednesday.

Erin Anderson, Jessica Davis, Matt McCloud, Jim Norris and Samuel Sims have all been working on their short plays since taking part in workshops with Hull playwright, Tom Wells, in September and October.

They were performed by professional actors for the first time in front of friends, family and guests of Middle Child and deserve a huge round of applause for all their hard work 👏

We can’t wait to see where everybody goes next on their writing journeys and look forward to the return of our Writers’ Group in the autumn.

Thank you to Maureen Lennon for directing the scenes and Alice Beaumont, Jack Chamberlain, Sophie Clay, Jack Fielding, Marc Graham and Sarah Penney for performing.

Photos by iWilburnArt.

A red and white ring toss target that says Little Red Riding Hood

Our audience choose Little Red Riding Hood as 2023 panto

By | News, Panto, Uncategorised

The votes are in and, after pulling an all-nighter to check the count with David Dimbleby, dame Sister Skeg is delighted to reveal that our 2023 panto will be…

A red and white ring toss target that says Little Red Riding Hood

Little Red Riding Hood

The classic fairy tale about the little girl and the hungry wolf was the overwhelming favourite with our audience for Robin Hood: Prince of Thorngumbald.

They were able to choose between four different stories for us to produce for this year’s show, voting in a sidestall at Social throughout the run of our Christmas show.

Our audience have chosen our panto story in this way every year since selecting The Little Mermaid in 2019.

We’ll have more details available about this year’s panto in the spring, so stay tuned. Sign up to our mailing list to be the first in the know.

A portrait of a Victorian woman with a red punk newsprint effect overlaid with black and white mismatched letters which spell Modest

Modest, a new show about Elizabeth Thompson

By | News, Shows

Hold tight, Hull – we’re back at Hull Truck Theatre in 2023 with a brand new show, produced in collaboration with the wonderful Milk Presents.

Music hall, theatre and drag king cabaret erupt as Modest brings you Elizabeth Thompson – megastar of the Victorian art scene.

In 1874 Elizabeth stuns the Royal Academy with her painting, Roll Call. Five years later, she falls two votes short of becoming the first woman elected to the academy.

In between, she must shoulder the hopes and dreams of women across the country, while fighting for her place at a table full of top hats, ties and mutton chop beards.

Performed by a cast of actor-musicians, this punk-spirited show will break your heart and start a revolution.

Written by Ellen Brammar (I Hate Alone) with music by Rachel Barnes, Modest is a good night out co-directed by Leo Skilbeck (Milk Presents) and Paul Smith (Middle Child), heading to Hull and then out on tour.

It features movement direction by Tamar and Jo, set design by QianEr Jin, costume design by Terry Herfield, sound design by Eliyana Evans and lighting design by Jessie Addinall.

Modest is a collaboration with Milk Presents, developed with the support of the National Theatre’s Generate programme.

Dates for our run at Hull Truck Theatre will be announced soon, while tickets are now on-sale for performances at the New Wolsey theatre in Ipswich from 16-17 June 2023.

White Middle Child logo on a dark pink background

Middle Child offered £458,280 investment from Arts Council England

By | News

Middle Child can confirm we have once again been invited into Arts Council England’s National Portfolio, for the years 2023-2026.

The Arts Council have made us a conditional offer of £458,280 investment in total, or £152,760 per year, which is equivalent to our previous funding agreement.

This continued support will help us to pursue our vision of a world where anybody’s story can be told and heard, through the creation of world class performances and the development of theatre workers in Hull and the East Riding.

Middle Child are committed to championing new voices, unheard and unknown, and will use this investment to continue to work towards a more inclusive and representative industry.

We will reveal further details of our plans for the next National Portfolio programme in the new year, following the negotiating period and a final agreement with Arts Council England.

In the meantime, we look forward to presenting our rock and roll pantomime, Robin Hood: Prince of Thorngumbald, at Social this Christmas.

A photograph of group of young people in an active drama session smiling at each other.

National Youth Arts Trust bring drama workshops to Middle Child

By | Artist Development, News

Sessions begin at Bond 31 on High Street in Hull, from Monday 10 October

A photograph of group of young people in an active drama session smiling at each other.

Exciting news for young people in Hull aged 14-19 with an interest in theatre – the National Youth Arts Trust (NYAT) are to bring free weekly drama workshops to our rehearsal space beginning October 10.

NYAT is an organisation that exists to unearth emerging talent, make bold and exciting work, give a chance for young people’s voices to be heard, and offer a practical and accessible springboard to further education, including a potential theatrical career.

They run theatre trips, masterclasses with industry professionals and perform for the local community and help widen access to youth theatre and the performing arts for teenagers from low-income backgrounds.

After providing a series of taster workshops in schools around Hull, NYAT will begin hosting workshops on Monday evenings, 4-6pm for young people aged 14+ to explore their creativity and try their hand at a new craft.

For more information or to sign up, email admin@nationalyouthartstrust.org.uk or call 07891 835589.

Mixtape: A little bit of hope from Tom Wells

By | Mixtape, News

For when things start to feel a little bit bleak, playwright Tom Wells has assembled a mix to remind us where to look to find some hope for a better future. 

A green banner reading 'Mixtape, Middle Child' with a black and white image of a white man in his late 20s looking away from the lens.

The air is becoming crisper and colder once again as the seasons begin to change, and yet the world can somehow still feel stuck in the challenges we face.  

It doesn’t need specifying what it is we have been through, are going through, or the future that we see encroaching when we turn on the news – we are all familiar with it. But perhaps something we forget to do sometimes is see the light at the end of the tunnel. 

That is why writer Tom Wells has created this month’s Mixtape to not only remind us that the light exists, but to help us find a place to look for it. 

Starting next week, Tom will once again be leading the Writers’ Group for us here at Middle Child, a free introduction to playwriting open to residents of Hull and East Riding who are new to the craft.  

He has been leading the group since 2018, which sees a new cohort every year find their voices aided by his guidance and knowledge on playwriting. We think he kind of knows what he’s talking about.  

This mix will hopefully find you in the right place, and, in Tom’s own words, give you hope for a good dance, to fall in love, for political change or for a better world.  

Which song on the tape is most important to you and why? 

For my fifteenth birthday my Dad got me the album Bridge Over Troubled Water by Simon and Garfunkel. It was a really special gift. The melodies were gentle but soaring, like seabirds; the lyrics were quiet and poetic, like haikus; the cover was grey and full of knitwear, like my wardrobe. I think all of the songs on it are beautiful, but The Only Living Boy In New York really spoke to me at the time. Partly because the first word of the first verse is, um, ‘Tom’, and partly because it talks about a way of being in the world that is quite simple and quite celebratory. It is the first song that I properly loved, from the bottom of my heart, and opened the door to lots more. Especially once I got the confidence to look for them a bit, and realised you could borrow CDs from upstairs at the library. For that reason, I think it’s the most important – it was a sort of beginning, an open door, and it led to all the other songs on this mixtape. 

How does the theme of hope tend to appear in your writing? 

I think it’s just people doing their best, really. Not giving up. Trying, even though sometimes things are hard. Being funny and kind and resilient. That sort of thing.

What do you turn to when you are in need of inspiration? 

Cups of tea. People-watching. A good dance. (For which I think Good As Hell by Lizzo is a lovely accompaniment)

How do you incorporate themes like hopefulness into workshops like the Writers’ Group? 

I think writing a play just is a hopeful thing. You write it and fingers crossed it makes the world a bit better. And the process, too, is sort of hope-in-action. You write a first draft, show it to some thoughtful people who help you see ways it might say the things you hope it’ll say or show the stuff you hope it’ll show a bit clearer, a bit bolder, a bit swifter; you go home and work on it some more so the second draft’s a bit better, and gradually it starts to take shape – it’s a wonky shape, but it’s magic and sparky, full of spirit and bits of your heart. So going from the seed of an idea to your first play being performed in front of people just is really hopeful. I think so, anyway. 

What is the most rewarding thing about leading the Writers’ Group? 

Getting to see the things people write, the stories they’ve got to tell, that nobody else could, and to help those stories into the world a bit, is a proper, proper privilege. 

What is the experience you try to create for participants of Writers’ Group? 

I think in a really simple way, we just want them to feel able to have a go at writing their first play. We give them some tools to help with that, and also do our best to make a supportive community of people who are learning together too. All trying stuff out. Sometimes the stuff you try out will be brilliant – wahey – sometimes it’ll be a disaster – no biggie: you’ll know for next time. We love it when somebody figures out how to say the thing they want to say, with warmth and wit and a proper urgency. But we also flipping love mistakes. It means you’re trying stuff, new stuff, not being predictable or timid or boring. And then (fingers crossed) you can just pick yourself up, dust yourself off, have another go. That’s being a writer. (I think, anyway)

What is on thing that gives you hope right now? 

People. (Just the good ones though, obvs). 

Tracklist

Victoria Wood – Andrea
The Housemartins – I’ll Be Your Shelter (Just Like A Shelter)
Lizzo – Good As Hell
Kylie Minogue – Dancing
Simon & Garfunkel – The Only Living Boy in New York
Dolly Parton – I Will Always Love You
Belle and Sebastian – String Bean Jean
Jens Lekman – If You Ever Need A Stranger (To Sing at Your Wedding)
Daniel Johnston – True Love Will Find You in the End
Arcade Fire – Keep the Car Running
Regina Spektor – On the Radio
Beyoncé – Hold Up
The LEGO Movie 2 Cast – Everything’s Not Awesome
Insane Animals Cast – I Don’t Want to Get Old
Malvina Reynolds – Love Is Something (The Magic Penny)
Cass Elliot – Make Your Own Kind of Music
Richard Hawley – Heart of Oak
The Chicks – Texas Man
The Spook School – Try to Be Hopeful
Grace Petrie – The Losing Side
Donnie Trumpet & The Social Experiment – Sunday Candy
Cat Power – I Found A Reason
The Sweptaways – They Don’t Know About Us
Paul Williams – Number One
Richard Dawson – Jogging
The Magnetic Fields – The Sun Goes Down and the World Goes Dancing
Lord Hereford’s Knob – Half Man Half Biscuit
George Ezra – Me & You
Pulp – Like a Friend
Kate Bush – This Woman’s Work

The Middle Child Mixtape is a monthly Spotify playlist compiled by Middle Child artists, company members, staff and collaborators. Subscribe to the playlist to hear a fresh mix every month.